For brands, agencies & productions

Drone Videography Services

Overhead view of tiled rooftops in a dense town at golden hour
A road winding through dense green forest, seen from above
A lake between mountains at sunset, seen from the air
Aerial view of a rocky breakwater and turquoise water
What do you need?
Where's the shoot?

Free to post · Usually a reply the same day

86 film & video pilots listed · Pay the pilot directly, no commission

Free to post

Two minutes, no card, no commitment.

Pay the pilot directly

No commission or markup on their price.

FAA Part 107 pilots

The license all paid drone work requires.

Usually a reply the same day

From a pilot, or from our team if no pilot has answered.

How it works

Three steps, and the first one is free

  1. Describe the job

    The questions adapt to the work: area for a mapping job, access and asset for an inspection.

  2. A pilot near you sends a price

    Pilots whose service area and services match are emailed. Usually a reply the same day, from a pilot or from our team.

  3. Book them and pay them directly

    Check their certificate, kit and sample work, then pay the pilot. SkyLog takes no cut and adds no markup.

What to know before you book

Specifying footage properly

Tell the operator what your post workflow needs: resolution and frame rate, whether you want a flat or log profile for grading, what codec and bit depth your editor can handle, and whether you need proxies. A log-profile clip looks washed out straight off the card and is exactly right if it is being graded — and exactly wrong if you planned to cut it straight in. If the aerials are being intercut with ground footage, match frame rate and shutter with the rest of the shoot or the two will never quite sit together.

What drives the day rate

Experience and reel quality first — aerial cinematography is a craft and it prices like one. Then equipment: a cinema-payload aircraft with an interchangeable camera is a different proposition from an all-in-one prosumer drone. Crew matters too, since some shoots need a separate camera operator alongside the pilot, and complex or crowded locations need a spotter. Then the location itself: airspace authorisations, permits, road closures, and flight over people all add planning time before anyone flies. Finally, the deliverable — footage, a cut, or a cut with rounds of client revisions.

Planning around weather and light

Aerial work is the most weather-exposed part of a production. Wind is the real limit rather than rain, since gusts at altitude cost you the smooth move even when the ground feels calm, and the golden-hour light most briefs ask for lasts under an hour twice a day. Build a contingency day into the schedule for anything that matters, agree in advance who carries the cost if the day is scrubbed, and shoot the essential material first rather than saving it for the end.

What a shoot delivers

  • Footage shot to your post workflow — resolution, frame rate, codec and colour profile agreed in advance.
  • Aerial moves that intercut with ground coverage, when frame rate and shutter are matched to the rest of the shoot.
  • A crewed operation where the location needs it: a separate camera operator alongside the pilot, and a spotter on complex sites.
  • A cut, if you commission one, with an agreed number of revision rounds.

What to settle before the day

  • Deliver a gradeable log profile and a ready-to-cut file at the same time. A log clip looks washed out straight off the card, on purpose.
  • Survive a windy day. Gusts at altitude cost the smooth move even when the ground feels calm.
  • Include road closures, flight over people, or airspace authorisations without planning time before anyone flies.
  • Absorb a scrubbed day for free. Agree who carries that cost when you book the contingency.

Shoot the essential material first rather than saving it for the end, and build a contingency day into anything that matters.

Why post it on SkyLog

Footage or finished cut

Decide before you book. Footage delivery is a shooting job priced by the day; a finished film adds edit, grade, sound and revision rounds, which is a different scope and often a different person's skill set.

Moves, not just altitude

The reveal, the orbit, the pull-back, the low fast pass — the move is what makes aerial footage read as cinematic rather than as a survey. Describe the moves you want or share references.

Rights, in writing

Who can use the footage, where, and for how long is a commercial term, not a technicality. Agree it before the shoot, especially if the material is going into paid media.

Free to post

Posting and receiving quotes costs nothing, and SkyLog takes no commission and adds no markup. You pay the pilot you hire, at the price the two of you agree.

Drone operators with published profiles

Real published profiles. Open any one to see credentials, kit, service area and sample work before you post.

Before you post

Should I hire a drone operator or a full production company?

If you have an editor and a plan, hiring the operator directly is usually cheaper and gives you the footage. If you need someone to own the outcome end to end, buy the finished film — and expect to pay for the craft after the flying as well as the flying.

How much usable footage comes out of a day?

Less than people expect. Batteries mean flying in short blocks, and a good aerial shot is often several attempts at one move. Plan for a handful of strong sequences per day rather than continuous coverage.

Who owns the footage?

Whoever your agreement says. Operators commonly license the material for a defined use and retain copyright, so if you need broad or perpetual rights, negotiate and document that before the shoot.

Can you fly over a crowd at an event?

Flight over people is restricted and depends on the aircraft category and the operator's authorisations. Some shots that look routine on screen required specific approvals. Describe the event honestly and let the operator tell you what is achievable.

Do I need a permit as well as the pilot's certificate?

Sometimes. The certificate and any airspace authorisation cover the aviation side; filming permits from a landowner, a city or a park authority are separate and are usually the client's to arrange. Ask early — permit lead times are the thing that most often moves a shoot date.

From a job poster

The jobs nobody else would quote

“I was not expecting to have a response so quickly after calling countless different companies.”
Jared OlroydOwner, Specialty Cleaning Agents
Quote in under 2 hours

Post your aerial shoot free

Describe the footage or the film you need and let drone operators quote you. No commission, no obligation to hire.

Sunbeams over a lake and a forested peninsula, seen from the air
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